Andile Dyalvane Pays Homage To His Ancestors With Ithongo, His Fourth Solo Show

Photo by Southern Guild / Adriaan Louw
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Village of Ngobozana, Eastern Cape: 21 – 22 December, 2020
Southern Guild, Cape Town: 10 December, 2020 – 5 February, 2021
Friedman Benda, New York: 3 June – 2 July, 2021

Southern Guild and Friedman Benda are pleased to announce iThongo by Andile Dyalvane, premiering in Cape Town on 10 December, 2020 and in New York City on 3 June 2021. An extensive collection of sculptural ceramic seating, iThongo is Dyalvane’s fourth solo exhibition. In homage to his ancestors, the work will travel in its entirety to Dyalvane’s rural homestead in Ngobozana, Eastern Cape, where his family and extended community will have the opportunity to view it for two days in November (21-22) before it is shown in the galleries.

iThongo, meaning “ancestral dreamscape” in Xhosa, refers to the medium through which messages (uYalezo uLwimi lwabaPhantsi) are transmitted from the ancestors. As such, it is an essential energetic link between the past, the present and the future, and the vital connection that fuels Dyalvane’s artistic practice and spiritual being.

The artist states: “My intentions with developing an extended body of work under the title iThongo is to highlight a gathering of dreams, seated in the soul, held by the spirits of our ancestors. Symbols are visual tools harnessed to more effectively impart meanings within messages – codes, if you will – that aid stories. The language of dreams is symbolic and therefore realised as uyalezo, messages from our ancestral spirits.”

 

Photo by Southern Guild / Adriaan Louw

iThongo will comprise 18 sculptural stools, chairs and benches, exhibited in the custom of Xhosa ceremonial gatherings, in a circular arrangement around a fire hearth and herbal offerings. Hand-coiled in terracotta clay, their voluptuous, rounded bases give rise to sculptural backrests stretching up to almost a metre tall. The intricate form of each is based on a single pictogram or glyph from a series of close to 200 symbols that Dyalvane has designed to denote important words in Xhosa life – such as entshonalanga (sunset), igubu (drum), umalusi (herdsman) and izilo (totem animals) – and which also relate to the natural world and more universal human themes and concepts.

Dyalvane’s symbolic lexicon has been an ongoing project, born of his interest in preserving traditional Xhosa knowledge, cultural practices and language. The symbols began as calligraphic ink drawings that he has codified over the years, dating back to the work he produced for his ground-breaking solo show at Friedman Benda, Camagu, in 2016. Their debossed forms also emerge from and dissolve into the sculptures’ clay surface, an effect created using tools such as carved stamps and linocut tiles. His coded language thus becomes embedded into both the form and the skin of each piece.

Taking their inspiration from both Dyalvane’s personal memories and various African artefacts, the seating objects are low, sitting close to the earth – the ground revered as an ancient portal for ancestral communion. Their forms are curved and spherical, echoing the traditional rondavel structures and kraal enclosures in which livestock are kept. Circular geometry is believed to facilitate a free exchange of energy in Xhosa spiritual practices (as it is in many other belief systems), in keeping with the organic shapes found in nature.

This will be a major exhibition with timely relevance and profound cultural significance for Dyalvane, extending outwards to his OoJola clan, the Xhosa people, South Africans of all races, and Black people of African descent. It will be accompanied by a short documentary film and a catalogue containing academic texts shedding light on the exhibition’s spiritual aspects, both made possible with the support of BMW South Africa.

A series of interdisciplinary collaborations that Dyalvane initiated with other artists further broadens the exhibition’s scope. Sound healer and musician Nkosenathi Ernie Koela produced an immersive composition combining traditional instruments and sounds created by the artworks; Sisonke Papu, an Umtata-based poet, traditional healer and co-founder of the ISPILI Network in the Eastern Cape, wrote about Dyalvane’s use of symbology for the catalogue; and textile artist Onesimo Bam made a collection of garments hand-painted in indigo dye for him to wear for the ceremonial presentation of his work to his village and to gift to his elders.

Photo by Southern Guild / Adriaan Louw

Artist Biography

Widely considered one of South Africa’s foremost ceramic artists, Dyalvane was born in 1978 in the small village of Ngobozana, near Qobo-Qobo in the Eastern Cape, He grew up farming and looking after his father’s cattle herd – sewing a deep connection to the land and his Xhosa culture that resonates powerfully through his work today. His medium of clay, or umhlaba (mother earth), is at its most fundamental a life-affirming connection to the soil.

Dyalvane completed a National Diploma in Art and Design at Sivuyile Technical College in Gugulethu, Cape Town, followed by a National Diploma in Ceramic Design from Port Elizabeth Technikon in 2003. In 2005, he and Zizipho Poswa co-founded Imiso Ceramics, whose handmade tableware and vessels have earned the studio an international following. Through his functional designs for Imiso, he developed a language of incision marks inspired by the ancient African tradition of body scarification that continues to inform his collectible work for Southern Guild today.

Dyalvane’s work for Southern Guild serves as a distinct, but aligned, space from which to explore more complex ideas in greater depth with a focus on sculptural and monumental qualities. A prolific artist, he has produced four major bodies of work over the past five years: Camagu (2016), a collaboration with Friedman Benda; Idladla (Grain Silo) (2017) and Selected Works from the Leach Pottery Residency (2019), both at Southern Guild; and now iThongo (2020).

Photo by Southern Guild / Adriaan Louw

Dyalvane’s work is in the collections of the Vitra Design Museum, Yingge Ceramic Museum in Taipei, Iziko SANG, NMMU Art Museum in Port Elizabeth, and the Corobrik Ceramics Collection. He has presented his ceramics in exhibitions at galleries, fairs and museums all over the world, including the National Art Museum of China, the Vitra Design Museum, and the Iziko South African National Gallery (SANG) in Cape Town. He has shown his work with Southern Guild and Friedman Benda at Design Miami in the US and Basel, The Salon Art + Design, PAD London, and Design Days Dubai. In addition, he has participated in NY Now, Maison Objet. Art Santa Fe International Art Fair, and AKAA Art Fair.

A member of the International Academy of Ceramics, Dyalvane has earned residencies around the world and shares his knowledge through master classes and workshops in South Africa and internationally. He is the recipient of the 2015 Design Foundation Icon Award.

For more information visit https://southernguild.co.za

 

 

 

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